Cinematic Realism: Lukacs, Kracauer and Theories of the Filmic Real

Description

Acknowledgements
Preface
Introduction: Representation, Perception and Cinematic Realism
1. Bergson, the Image and Time
2. Introduction to Lukács: Essence, Phenomena and Temporality
3. ‘On the Phenomenology of the Creative Process’ (Lukács 1914)
4. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
5. The Specificity of the Aesthetic (Lukács 1963)
6. Husserl, Epochē and Lebenswelt
7. Introduction to Kracauer: Abstraction, Redemption and Modernity
8. ‘Photography’ (Kracauer 1927)
9. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)
10. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)
Bibliography
Index